Happily Lost — Rocky Gully

We were driving from Margaret River to Albany and desperately needed a comfort stop. But towns were few and far between on this empty country road.

The bushland to either side of the alleged highway was too open and too muddy. Intensely green, though.

Damp but very green farmland. South-west Western Australia, August 2022.
Green, rolling hills somewhere on the road to Albany, south-western West Australia. August 2022.

We’d planned to stop for coffee but there was nowhere en route. We had s long drive to go, to get to Albany and (as usual) we had not booked ahead. Soon morning coffee was drifting into an early lunch, but the need to find a loo of sorts (in Australia on the roads, I won’t dignify these with the euphemism “bathroom”) was becoming more urgent. Even an outback hole in the ground would have been welcome. Avoid the snakes on the path, check under the seat for redback spiders, and relief!

Then — a town! Well, a village… no, maybe just a collection of buildings. “Welcome to Rocky Gully” was on a sign somewhere. No shops we could find. We’d done one loop of the whole housing settlement (two minutes and about 100 metres in total) and headed back to the main road.

Hang on, a fuel stop! We pulled in. Mean Street Café was stencilled on the wall. At the door, a sign with  yellow L-plate warned, “”We are still learning. May stall unexpectedly. We thank you for your patience.”

“Sorry, we’ve not got any petrol yet,” the proprietor told us. Today’s our first day open, we’re still getting ready.”

By this time we were walking awkwardly with our breakfast cuppa having thoroughly worked through our bodies.

“Can we use the loo?” I asked.

“Sure, no worries,” they said. “Thataway.”

Lovely. Scented soap, pristine porcelain, not  snake or redback spider in sight.

When I emerged, the next pressing need surged to the fore. “Is there anywhere around here where we can get a feed?”

“Well, we’re a bit short of food supplies, the delivery was due yesterday, but we can do a ham and cheese toastie for you. And coffee, of course.”

It was too much to hope for, that they could do lactose-free, gluten-free, but we were travelling with my lactose-free milk and gluten-free bread. I dashed back to the car for supplies which mine hostess skilfully turned into a delicious, if impromptu, meal for us. While we waited, I wandered around the small shop. They were selling some very bespoke t-shirts and the rock ‘n roll/biker theme was obvious, especially with a perfectly-chromed Harley-Davidson parked beside the pot-belly stove.

It was a cold day outside, grey clouds hanging low and heavy. We enjoyed the break from the long sit in the car, enjoyed the toasted ham and cheese sandwich and the coffee was excellent. The company was fun, we grooved along to Meatloaf and had a lovely chat to the staff. For their first day’s customers, they did very well. But then, the level of friendliness is typical of almost any Aussie country road stop.

I stashed my milk and bread back into the car and we got back on the road again. Only a few more hours to go…

Duelling Carols

It’s that time of the year again.

Bedraggled, tired chorister on the train home — from December 2021

As background, I’m in two choirs. One is a choir specialising in ‘old’ music, medieval and Renaissance in a number of different languages (including various archaic English dialects). We perform in costume (see other articles of mine here about going slightly nuts during various lockdowns when making historic clothing).

The other choir is a female close harmony acapella group.

I love singing with both these choirs, each has a very different style and is focussed on performance with a difference. The look, and the sound, in each case is part of the public appeal.

When performing out in the open, it is much more challenging to be heard. There is a lot of background sound from traffic, people passing by and even birds (it’s the time of year for the dreaded koel and channel bill cuckoo, both predatory cuckoos that make a lot of noise). Sound can simply dissipate into the wide open spaces, so performance is harder work. The payoff, however, is seeing random members of the public stop and listen.

Informal carols performance in the street — our last rehearsal for the year. 2022

Around Sydney there are multiple performance spaces for Christmas. The prized location is by the Christmas tree in Martin Place, Sydney’s answer to New York’s Times Square. However, it also brings challenges. The chiming clock, for one. The old GPO (General Post Office) is one of Sydney’s historic landmarks. The GPO is now the Fullerton Hotel, but I have fond memories as a small child going to the GPO with my mother, and hearing the clock chime out the hour to be heard around Sydney. It’s a Westminster chime that calls out the quarter hours too.

The Renaissance choir was one of the first choirs to help launch Sydney’s 2022 Christmas entertainment program at midday on 26 November. We’d done the same gig in 2021 and had experience of the challenges as well as the delights. Competing with the clock is one challenge. The Christmas tree is a whole other level of loud kitsch.

This year at that first gig, we had random members of the public, generally children and some other individuals with no social filter, come and stand next to us mid-performance to take selfies. One young woman actually ‘conducted’ the choir while standing next to the choir director who, amazingly, maintained her composure.

ROH at the big Christmas tree, Martin Place, Sydney, November 2022

The public are wonderful, appreciative and enthusiastic. Some more so, especially those flying high on various substances with dubious legality. We soldiered on and chalked it up to experience, and learning how to value every member of the public who is happily enjoying our performance each in their own way.

We’d travelled to this gig by car, as I was a bit frail. I had a small stool to sit on, a challenge in a Tudor gown, but it got me through. It was thankfully not as hot as it can get in a Sydney summer, but we were facing into the western sun and we had to manage.

The gown is a work in progress. So’s the hair. Martin Place, Sydney, November 2022.

For this first gig we had access to a changeroom, but for most of these, we have to turn up already in costume, often having travelled by public transport. Renaissance clothing is not always compatible with train travel, so a lot of us have basic clothing which simply goes underneath the costume.

Martin Place was a venue for other performers too. Immediately we finished, we heard a violinist (well amplified) playing carols on the other side of the Christmas tree. He had very considerately waited until we were done.

My other choir had a performance two weeks later, in the Sydney Botanic Gardens (New York analogy again, think Central Park). Getting there was more difficult than usual. There was trackwork on the nearest railway station, but thankfully the light rail was in operation. My costume was a white pantsuit (sparkly scarf on top) and I didn’t want to risk it getting dirty on public transport so I wore a voluminous dress over it all as a sort of protective smock. I had a short walk from the light rail terminus past the Sydney Opera House and up a set of steps to the Botanic Gardens. There was a pleasant evening breeze blowing from Sydney Harbour. I found the destination and removed my cover-all at last, and put on the sparkly red scarf. Visually, we’re a lot about bling!

The performance space here has been decorated with perfectly conical Christmas trees coated with sparkling LEDs, a veritable forest of delight. Around this was an array of market stalls. Another larger sound shell was the main performance space. The area opened up to the public at 6 pm, and mike checks and technical run-through was set for 5 pm.

The performance space in Sydney Botanic Gardens. Christmas 2022. My masked main groupie on far left.

Both stage areas.

Here is where we began to feel we were in a duelling match. Of course both performance spaces would need to do their sound checks at the same time, the other performers in the sound shell were scheduled to start at 7 pm, just as we finished. We still had choristers arriving and needing to be added to our sound check, while we could hear the loudly-amplified rehearsal from the big sound shell of various Christmas songs. They also had a brass section — very good players, but very loud. There was a lot of overlap in repertoire — we heard the other performers singing some of the same pieces we had also scheduled to sing. Different arrangements, thankfully. Our acapella choir had microphones provided but we needed to place our singers in such a way that the sound would be balanced. We also needed to hear the pitch pipe notes, and when the sound shell was loudly playing, “We Need a Little Christmas”, this was challenging. However, after so much Covid lockdown and cancellations over the last few years, we definitely felt we needed a little Christmas at last.

By the time the gates officially opened at 6 pm, all sound checks had been finished. Our performance got under way with no competition from the sound shell. Everything was actually well-organised and timed to perfection.

When we perform, our energy is up and we’re focussed both on watching the director for cues, and ensuring the audience has a good time. As a result, there is a performance high that follows. When our last set finished, we heard the sound shell start up with their show. Our audience evaporated and headed towards the new entertainment, and we followed, audience ourselves now. We had time now to shop for fudge and floss, to sing along in the crowd and just generally relax.

Fudge and fairy floss (aka cotton candy for those in the US) do not a meal make, so hubby (my main groupie) and I headed back to Circular Quay to find food. We avoided the Opera House concourse which is not only potentially expensive, but populated with roving gangs of marauding seagulls. “Nice seafood basket you have there,” you can imagine them saying. “Shame if something happened to it.” But as with most protection rackets, throwing them a few morsels only serves to encourage them. I’ve eaten sushi there in the past, having to eat with hands constantly covering the food and still almost losing my lunch to the feathered fiends.

We found a quiet corner inside City Extra, a 24-hour eatery originally founded to feed the media packs and hacks of yester-year. Outside the window we watched the Manly ferry on its regular commuter runs across the Harbour while the sun set over the Sydney Harbour Bridge.

Last night the Renaissance choir was back at Martin Place. I had asked the director in jest if she’d permit me to wear red glitter nail polish for the performance, because the modern acapella choir had performances bracketing the Tudor one. Her response was expected. “Rich fabrics yes, glitter nail polish no. It was not a thing in the Renaissance.”

This time I arrived by public transport with my main groupie, about 45 minutes before our call (which was itself an hour before performance). Plenty of time for coffee, and to get changed.

Again, what we wear when travelling is directed by what we need to wear during performance. I travelled wearing my white puff-sleeved pirate shirt (another lockdown sewing project) and green linen pedal-pusher pants. My tie-on pocket was useful for easy access to my phone and travel card (payment is a simple tap-on, tap-off) and would remain for access under my Tudor gown. Hair tied back in bunches. Not too weird for a Sydney summer.

The street-ready under-gown wear. The pirate shirt doubles as chemise. The pocket hangs from a belt and is accessible under the Tudor gown via pocket slits. Note the fallen bark from the gum tree — Australian trees are snarky in summer, they trash the yard.

We ordered the coffee while I was in pirate-garb, then while we waited, I unzipped the costume backpack and started to put on the layers. Underskirt (it ties on front and back apron-style). Then the outer skirt, and this is where people began to notice. The outer costume was once upon a time a quilt cover. It’s red-and-silver brocade, and very full.

Sewing the Tudor gown at my pop-up driveway sewing station.

The bodice is boned (half a packet of cable ties) and doesn’t allow the wearer to lean back in an armchair, for example. So I waited and enjoyed my coffee. Other bits went on instead. Wrist ruffles (stitched to elastic bands, easy to pull on). A ruff. The two parts to a French hood (red satin and black velvet). Finally the bodice. I had begun to hand-sew this while in hospital a few weeks earlier (kidney stone) and managed to finish the costume at midnight the day before the first performance on 26 November.

Hospital bed sewing — cable ties as boning. Laptop had some useful instructions. Nursing staff were very understanding.

Completed boned stays (‘pair of bodies’) ready for brocade outer layer.

I laced on the bodice at last. I must have been eating too much — the front of the bodice seemed to have a wider lacing gap than usual. However, by the time I’d finished my coffee, the lacing was loose as my body warmed up the boning. I laced in tighter with no difficulty. I’m still learning how to wear this gown.

Lacing up over coffee in the Fullerton Hotel, Martin Place, Sydney. December 2022.

By this time, other choristers had arrived and were costumed. We made our way to the warm-up space and met our ‘handler’ from the organisers. She looked about 40 Kg wringing wet. “I know I’m tiny, but I’m feisty. If anyone hassles you, I’ll be there keeping them away.”

We made our way to the now-familiar position by the large, green and red Christmas tree. It’s huge. And, as we know, it’s wired for a sound and light show to start at 8 pm. We were to perform four sets of 25 minutes each from 6 pm, ensuring to pause over the hour so we weren’t competing with the GPO clock striking the Westminster chimers in full plus the hour.

We swung into our sets and quickly gathered an audience. One of our choristers is a very strong bass, he led two of the ancient carols in Latin and despite being completely unaccompanied and unamplified in an open space, was easily heard through the entire area. He is very impressive.

As with our first performance there, we not only had an appreciative audience, we also had a few interesting interlopers. We were very impressed when our handler deftly redirected a small child who was running around the choristers. A group of women already well-lubricated for a fun night in the city posed for selfies, but far enough away to only attract a single step forward from our handler. But she was ready. The partying women joined in and sang along with one of our better-known carols, but were not disruptive.

Then a tanned cowboy ambled up. Bare chest the texture of old boots, wearing only threadbare jeans with decorative buckle. And a cowboy hat. He came right up to our harmonium player then tried to lean over to inspect the mandolin. Our handler came in fast to redirect him, but he was determined. However, she was polite but firm. We paused our performance while the audience was being distracted by the alternative floor show. Finally Cowboy began to make his way from our space, but suddenly he fell and lay on the ground, not moving.
Our handler held up her hand to us, asking us to stop. We’d just blown the pitch note for our next song, but paused. And waited. Our handler signalled for a security man to come over. Phones were out, possible calling for an ambulance. Cowboy started to sit up and dust himself off. He appeared mostly unhurt despite landing hard on cobbles with absolutely no fabric protecting his upper body. He had a large bruise rapidly developing on his elbow, which swelled alarmingly fast. Alarming to me, that is. Cowboy didn’t seem to notice, he was clearly feeling no pain.

The audience waited patiently, but also were watching the whole show closely, as if perhaps wondering if Cowboy was part of the entertainment. He was finally led off towards the first aid area so they could check him over. All told, the organisers managed the event safely and efficiently, with consideration and compassion. Our handler was back with us even as we began our next song.

We finally sang what we thought was our last song, only to hear our handler say, “You have two more minutes.” So we began “Pastime With Good Company” (written by Henry VIII) but only got one verse in before, behind us, the huge Christmas tree woke up and began to sing. We were finished. For the evening, and for the year, with the Renaissance choir. As we assembled for one final photo, we heard the amplified violinist start up, as soon as the Christmas tree was finished its set.

Group shot after the performance. Time to put the costumes away for a few months.

Tomorrow I have two performances with the acapella choir. I’m looking forward to it. I’ve almost finished applying multiple coats of glitter red nail polish. There are two more acapella performances after tomorrow (including another one at the Martin Place Christmas tree, which I now know to be set to go off two minutes early — duly warned).

Red glitter, tinsel, bling, sparkle. Because We Need A Little Christmas indeed.

Garden in the Rain — Cowaramup and Margaret River

Like a convalescent invalid, the sun made brief appearances on our last day in Margaret River, sunshine in a watery sky. We’d checked out local art galleries and admired the technique and individuality in a wide range of art forms. In one gallery, the manager quietly worked on the books while the more overt security (a large poodle) was tethered to a sculpture nearby.

The view from our hotel room overlooked a few heritage buildings nestled into a wooded area, so naturally we had to check those out. Sadly, they were closed but a wander around the outside told us a great deal about how the local historic society has been working to preserve and teach about the early development of Margaret River.

When we’d first arrived in Margaret River, we’d noticed the rather curious-looking town of Cowaramup just to the north, so we went back to explore. On the way we stopped in to the Margaret River Dairy Factory to indulge, and stock up on local gourmet cheese.

The small village of Cowaramup is about the same size as our own home village, with a population of less than 2,500. Originally it was a siding on the Busselton to Augusta railway, no longer operational. However, the highway runs through Cowaramup, which is in the centre of the Margaret River wine region. Like our home village, the main business precinct is small but essential — a pharmacy, post office, bakery, various cafés, a farm supplies store and a specialty store with local artifacts. We saw the inside of a number of these shops when we took shelter with each brief dump of rain and/or hail.

The Margaret River area is famous for dairy and wine. Cowaramup is actually named for the local Noongar word cowara, for the purple-crowned lorikeet. However, the local dairy farming has now given the place the local colloquial name of “Cowtown”. We heard another local refer to it as “Mootown”. The nearby surf spot, Cowaramup Bombora (which has been the location of some giant surf rides) is locally known as “Cow Bombie”.

So what’s a small town to do, to bring in the tourists trade?

They ‘planted’ cows. Forty-two statues of them, meandering down the main street, chewing their cud beside the post office, settled near the bakery. And it worked, at least for us. I’d seen them several days earlier when we’d first arrived, driving through to the Margaret River township itself. And it was those cow statues that I’d glimpsed that had me wanting to go back and find out more.

Chewing the fat…er, cud in Cowaramup.

And, of course, get a coffee.

Australia does good coffee, as a rule. We’re famous for it. Wherever you go, even a tiny roadhouse in the middle of nowhere in a place with a population you could count on the fingers of one hand (often a hand that’s had a nasty accident with an axe) you can get a great cup of coffee.

Cowaramup was no different. While we sheltered from yet another dump of grapeshot hail, we enjoyed great coffee and a snack, and explored the shops we could safely reach while staying dry. Meanwhile the local people of Cowaramup went about their daily business stepping over and around gawping tourists like us (with a smile — very friendly people).

“All this rain must be helping things grow,” I remarked. We’d seen how lush the forests were. A hedge maze had looked interesting on the brochures, but was, unfortunately, closed while we were there.

We bought a couple of crusty bread rolls in the bakery to enjoy with our cheese, and headed back to Margaret River, exploring along a few more side roads.

Heading back into Margaret River in the mid-afternoon, we saw a colourful street library and, of course, I had to stop to check it out.

The street library was on the fence of a garden, hand-painted signs referring to Margaret River Organic Garden.

As a self-confessed garden junkie, I surged right in. The garden was organic in many senses — bits of improvised or more detailed garden sculpture were immersed in foliage and flowers spilling over borders.

With all the rain, there was a lot of muddy, boggy areas but the plants clearly were enjoying the attention.

As we rounded a corner on the path, we came upon a woman up a ladder, pruning. A wayward branch was tangled, we jumped forward to grab it and help pull it down into the wheelbarrow. Thus ensued a fascinating exploration into the people, the history and the plants of this amazing, colourful space. It’s a communal space, an education space and simply a place to be.

We wandered with our new friend and pulled weeds together until the sun (what there was of it) was low in the sky. Before we left, our friend gave us a book about the Organic Garden, a beautiful book with contributions from some of the many gardeners who have spent time working on this community initiative.

We spent our last evening in Margaret River at a tapas bar we’d discovered and loved, enjoying local food and wines and listening to the local people enjoying a pleasant evening at the end of their working day.

Truly a wonderful space to be.

Margaret River – Cave of the Drop Bear (at last)

Thylacoleo carnifex — from a display in Australian Museum, Sydney. My photo. The original Drop Bear?

We’ve had enough rain this year. We didn’t actually get soaked to the skin at any stage in WA (as I’d heard had happened repeatedly to family and friends needing to do the damp dash from car to house in the sudden downpours). But there really was a lot of water around.

As we drove to Margaret River we hoped that perhaps we would soon emerge from the belt of rain and fog, into winter sunshine. However, all along the highway we could see deep puddles and paddocks with part-submerged fences.

It didn’t augur well.

Flooded roads and heavy skies all the way to Margaret River from Perth.

We had planned a few stops along the way for coffee with a view, but with rain persisting and views misted out by heavy clouds and rain, we pushed on.

Margaret River loomed out of the rain, green and gorgeous. Towering trees, trunks straight up into the clouds, gave an added sense of peace.

We looked at each other. This was a good place to stop. We were done with travel for the day.

The view from our tiny hotel room in Margaret River — a historic centre with well-preserved buildings from the early days of European settlement.

Of course we hadn’t booked ahead. We often don’t. It’s part of the adventure, to also be free to keep moving on if we feel it’s not quite what we’re looking for.

After a slow loop of the town, we pulled back in to the most likely-looking place. No Vacancy. But over the road they had a spot. Just as picturesque, a bit more secluded, and thankfully on the ground floor.

We waited in reception for yet another cloudburst to pass, and explored their wall of brochures. With more bad weather forecast, outdoor activities were off our list. In a break in the downpour, we dashed to our room and settled down under the doona to explore our undercover options.

“There are caves!” Jeff exclaimed. I looked at the information. We chose  the nearest and one with fewer steps. At least it would be undercover.

Next morning we drove towards the cave of our choice, Mammoth Cave, through hailstorm. It was tiny hail, about grapeshot size. But there was so much of it. In places it looked like it had been snowing. We’re used to hailstorms being a passing thing, one scud and that’s it for the day. But this kept going. However, we appeared to have driven out of it by the time we got to the cave.

It was cold, heavily overcast and miserable, so I pulled on the medieval hood I’d brought on the trip to maybe mend buttonholes — another sewing project for spare minutes. The hood kept my ears from aching in the wind and the ‘skirt’ of the hood was excellent for keeping my neck warm.

An earlier medieval hood. I actually used this one as a pattern.

Our car was parked right outside the entrance (and shop) for Mammoth Cave. Today was clearly a slow day. We bought our tickets, got our self-guided digital player and ear bud and set off. In between cloud bursts.

“There are bones!” I exclaimed as the first stops (still outside the cave) showed us life-size figures of the animals whose bones have been found in the caves. It was a snapshot of the now-extinct megafauna of Australia’s Pleistocene period. Procoptodon goliah, the giant short-faced kangaroo that stood three metres high. The wombat the size of as rhino (Diprotodon). Then I saw my favourite Australian extinct animal, Thylacoleo carnifex. Imagine a creature the size of a leopard and just as adept at climbing trees, with retractile claws on its thumbs, front teeth like steak knives and side teeth like secoteurs that could crunch through the heaviest bones. According to Australian Museum it weighed 90 – 160 Kg. More closely related to possums, the harsh, guttural scream of these creatures would have been terrifying. Possums are bad enough, and they’re cute, fluffy and not predatory. Thylacoleo was an apex predator. It also would have preyed on humans — the megafauna only died out 40,000 years ago after Aboriginal settlement in Australia 60,000 or so years ago. Thylacoleo was also known as the marsupial lion and had the strongest bite of any mammal that has ever lived.

Lower jaw of Thylacoleo carnifex. My photo, taken in Australian Museum, Sydney.
Upper jaw and cranium of Thylacoleo carnifex. My photo, taken in Australian Museum, Sydney. Note the heavy zygomatic arch which allowed for heavy musculature, giving this creature the strongest bite of any mammal that has ever lived.

And here’s where it can get interesting — or bizarre. Australian folklore tells of a fearsome predator, a drop bear, which lurks in trees and drops on unsuspecting hikers from on high to rip out their jugulars. Australian Museum even has a fact sheet for Drop Bears, although they classify a drop bear as Thylarctos plummetus, which would put them in the same genus as koalas. https://australian.museum/learn/animals/mammals/drop-bear/

I respectfully disagree. I believe the original drop bear was Thylacoleo carnifex, more closely related to possums than koalas. The stories led to me writing a novella (which prompted the title of my second anthology) called “Cave of the Drop Bear”. Email me if you want to buy a copy, I still have a few.

So you can understand, I was even more keen to get to grips with a cave containing my favourite, fascinating marsupial.

When the rain eased off to a brief drizzle, we made a dash for the cave entrance. Those familiar with me will know I’m no longer a dashing figure. But we got to the entrance without getting soaked, and began our exploration of the drier interior.

Stalactites and stalacmites inside Mammoth Cave, Margaret River.
So many limestone formations inside Mammoth Cave.

If you know caves, you will understand that even inside, they drip, like a toddler with a permanent case of the sniffles. Water seeps down from the surface, soaks through the limestone and dissolves some on the way. Then it drips from the end of a projection and splashes below. Stalactites and stalagmites form from this dissolved limestone being slowly deposited over many thousands of years. For those needing a refresher — stalactites ‘hold on tight’ to the ceiling while stalacmites ‘might grow up’ to reach the ceiling. However, this part of WA (in fact, much of the state) had been experiencing a lot of rain. The drips were no longer just drips, they were trickles. But at least it wasn’t hailing inside the cave.

Stalactites growing at different angles. They all grow down, but rock falls over time can change what ‘down’ means.
Thylacoleo carnifex lower jaw embedded in limestone. Inside mammoth Cave, Margaret River, WA.

As we made our way through I became lost in thoughts of the past, of what it must have been like thousands of years ago. Around us we could see the evidence of past rockfalls, with stalactites now growing at odd angles to the true vertical. From what I could see, this area was a lot more volcanically active than the eastern Australian caves with which I am more familiar. An underground river flowed through the cave and the path climbed high (where we saw a Thylacoleo jaw encased almost completely in limestone) or down low, where the underground river flowed unusually full and heavy for the season.

The underground river was at times lapping the edges of the path.

At last we turned a corner and saw daylight; the exit to the cave at a sinkhole (just as in my novella) where tumbled rock surrounded a hole to the outer world. Steps led up to thick undergrowth and a leaden sky almost as dark as the inside of the cave. In my novella the sinkhole leads to a lost world of remnant species.

The way out at last. Back to the bad weather.

Outside the cave the temperature dropped, but it was green and lush as we walked back to the car. After clambering up and down steps inside the cave, I was only able to pick my way slowly through the bush. Then once more the heavens opened, and it began to hail. My medieval hood was very good protection.

I really love it when my interests come together so well.

Knee-High to a Dinosaur

We had just arrived in Perth to be met by wild weather coming in off the Indian Ocean. Three storm cells in sequence had been forecast with heavy ocean swells preceding them, making any outdoor activities, especially ones involving being on the water, totally out of consideration.

Perth wild weather feels different to Sydney weather. Or maybe where we were staying (at a gorgeous B&B we stumbled onto) was a bit more sheltered. The trees outside were tossing, we could hear rain (and hail) on the roof but there were still periods of less rain, when we could do a dash to the car.

Lunch with friends had been booked in King’s Park, the sun was even trying to peek out occasionally between dripping clouds. The road there was at times closed because storm surge had waves (on the normally quiet Swan River!) splashing over onto the freeway. We could see water levels well above normal. So much water!

Park truck piled with broken branches from the storm. Kings Park, Perth, 2022.

At lunch we apologised for bringing the appalling NSW floods with us.

Whatever the weather, Perth is a beautiful city. It glistens. Although at times views were obscured, the mist only served to add to the romance.

A lovely bit of sculpture in Fremantle Harbour, a nod to those returning by ship. That instant is captured, when the dog recognises his returning master.
The old Fremantle Jail, now an arts centre.
The old rock that was used to build the jail was carved from the area. It’s got a lot of shell in it, so it is soft and weathers easily.

Once the UK family arrived, a number of activities had been planned but had to be changed. Rottnest Island ferry was cancelled due to heavy seas, and the weather was foul anyway. So we went indoors. The aquarium!

It’s the Aquarium of Western Australia, or AQWA for short.

Getting there was a challenge. The rain had eased but the winds were blowing a gale. Cold, icy, the sort of wind to tangle your hair and make your ears ache. While the recent arrivals slept off the jet lag and the previous night’s excitement (they’d landed in Perth to a terminal in blackout due to storm damage) Jeff and I spent the morning exploring Fremantle. Once we got the nod to meet up at AQWA, we got on the road to Sorrento, in the north of Perth.

I’d brought some of my medieval clothing sewing to work on, including a caped hood (the buttonholes needed work). To save my suffering ears, I pulled on the hood then put my heavy jacket over the top. The jacket hid the liripipe of the hood nicely, nobody would know it wasn’t a standard clothing item. An unusual one, but I didn’t want to attract too much attention for my weirdness. And it did the trick — my ears were protected. Even the occasional rain scud didn’t soak through.

AQWA is a fascinating place to take a child who has never travelled outside the UK. Her head had been filled with stories of how scary Australia is, so we didn’t hold back. AQWA has sharks, rays and other denizens of the not-so-deep in a giant aquarium. Smaller tanks held other delights, but when you are safe from the beasts on a moving footway in a bubble under the tank, you can enjoy the experience once more. Our young friend was delighted to have sharks and a giant ray swim over her. Later, in a glass-bottomed boat, we floated over the sharks. In an aquatic petting zoo, she got to stroke a Port Jackson shark, a small, pretty gummy shark (no teeth). Sharks don’t feel scaly like other fish, they have skin like sandpaper.

Sharks up close and personal. AQWA, Perth, 2022
Colourful jellyfish. AQWA, Perth, 2022

Out on the deck it was wet from waves splashing over the sea wall and into the aquarium. Somehow appropriate…

Wild seas, no boat to Rottnest Island today. AQWA, Perth, 2022.

The next morning was the dingo experience. The place we went to is a sanctuary, specialising in black cockatoos, but our young English friend got the chance to get up close and personal with a pair of dingoes.

People think of dingos like they think of dogs, but they are different. Even the species name reflects this — Canis lupus dingo. There is actually still some dispute over the scientific name. It used to be (and in some circles still is) Canis familiaris dingo. Dingoes can interbreed with domestic dogs to produce fertile offspring (this used to be considered a hallmark of creatures being the same species, just a different breed or sub-species) but the books are currently being rewritten.

We met our two dingo friends on harnesses being led for ‘walkies’ with their keepers. Dingoes greet by sniffing your breath and (if you are in favour) by licking your face. They have a very strong social rule system, and this was explained to us carefully. We spent a wonderful cuddly hour with these creatures before it was time to walk them back to their enclosure and meet the other animals in the park.

They look so gentle. These were… as long as the handlers were there. Kaarakin, Perth, 2022.
Naaawww… Dingo Expefrience, Kaarakin Black Cockatoo Conservation Centre, Perth, 2022
Major Mitchell Cockatoo getting friendly. Kaarakin Black Cockatoo Conservation Centre, Perth, 2022
Black cockatoo eating eucalypt seed pods. Kaarakin Black Cockatoo Conservation Centre, Perth, 2022

Next day we took ourselves off to the WA Museum, and the WA Art Gallery. The museum had a special exhibition on dinosaurs, and as museum junkies, we walked our feet off (metaphorically) exploring everything we could about Dinosaurs of Patagonia.

The dinosaurs were amazing and we were blown away by the size of the largest specimen. Jeff stood next to it and we realised, he was knee-high to the massive creature.

Thank goodness they’re extinct. Perth Museum, 2022

While much of a museum’s exhibits are not location-specific, there was a lot to learn about the area just from the building and the general exhibits.

It was the same in the Art Gallery (the buildings are next to each other). Some general art, but a strong focus on indigenous art from WA and we learned a lot about the state and its artists, especially their history.

A reimagining of “Shearing of the Rams’ by Dianne Jones. Perth Gallery, 2022
“I Love You, My Baby, You Are My Firstborn”, a composite work of found items and cinematography by indigenous artist, Katie West. Perth Gallery, 2022.

We lunched in a kiosk between the galleries, sharing the space with some street-wise but reasonably well-behaved pigeons.

Jeff, knee-high to a dinosaur (Patagotitan mayorum). Perth Museum, 2022.

It was time for bed. We had an early start next morning, heading off to see what else WA had to offer. We could explore Perth in more outdoor detail, hopefully, when we returned.

Fear of Flying

The departure gate, before it got busy.

It’s been three years since we last flew anywhere. Covid has had us in repeated lockdowns and our country’s borders were closed for all but the most essential travel. Government officials excepted, of course.

Even within Australia, crossing state borders was fraught. And at times, even going more than 10 kilometres from home for anything other than shopping needed a note from the doctor (not your parents).

But now, even as Covid still wreaks havoc (only more quietly, no more daily announcements at 11 am telling us how many more have died) restrictions are opening up and travel is once more permitted.

There’s an important family gathering in Perth, WA. That’s Western Australia, folks. Not Washington state in the US. So we’re flying over.

Given past events and challenges, we decided to go over early to at least get within state borders before any possible lockdown. Not likely, but not taking chances. Besides, weather in NSW has been horrible for most of the year, we’d like to get away from it and explore a sunnier state.

Our Sydney weather has been surprisingly pleasant over the last couple of weeks. The unfamiliar blazing ball of light in the sky has even had me dusting off my sunglasses.

For the week before, our usual stringent family Covid precautions ramped up a few notches. Masks when around anybody else outside the home; dash in-dash out shopping trips; no social events. We wanted no chance of catching Covid to sabotage the trip.

We watched weather forecasts. We wanted no airport closures to affect us either.

As flights have been coming back, problems have been exposed in the check-in and baggage systems. It became prudent to pack at least one change of clothing, plus essential medications, in the carry-on bags.

Weather reports for Sydney were for continuing sunny weather. NOW the sun comes out!!?! But for Perth, a negative Indian Ocean dipole was already spelling wetter weather there and across to Sydney, with news of three severe low-pressure systems coming in just in time for our arrival. Oh, joy…

By the time our day of departure dawned, we were already on the road. Our son was doing his weekend bread run early, just for us, dropping us and our luggage at the railway station before collecting his cargo of fresh loaves for the return trip.

We aimed to get to the airport early, we’d heard the horror stories of check-in queues and long delays. But in the end, it all went fast and smoothly. I had packed my sewing bag (small needle, no scissors or unpicker) with my book so I could sew on the plane. Or read. Security let it through. We kept our masks firmly on and did our best to stay away from the crowd. But as boarding time drew near, the departure lounge was filling up.

Nearby shops provided some distraction.

Comfy bed socks from Peter Alexander. Covid chic.

Boarding at last! Time to enter the tightly-packed steel tube about to hurtle through the sky.

I’ve been on bigger planes. I’ve been on smaller planes. This one was cramped, and packed full of people. Airlines are apparently determined to get as many fares as possibly on board every flight, to make up for the last two-and-a-half-years’ losses. We were warned that the flight was short on space for carry-on luggage and some people might have to send their carry-on via a later flight. So much for our planning to carry urgent essentials so they could stay with us, I thought. But we were lucky, our carry-on wasn’t offloaded.

Sydney Harbour view as we headed for Perth. If you look closely you can see ‘the old coathanger’ (Sydney Harbour Bridge) and Anzac Bridge (foreground).

I’m short, I don’t have legroom issues, but this plane was a squeeze for me. I could barely fit between the armrests in my middle seat of three. Wearing a heavy winter jacket didn’t help. The window seat passenger arrived, and he was a tall bloke. A landscape contractor, I later discovered. He did not fit well either, his long legs had to be splayed in order to fit in the space. On the other side of me, Jeff’s long legs had to be pulled in every time someone walked along the aisle.

Safety instructions are different now. They also include rules about wearing masks, including the injunction to leave them on, between mouthfuls of food or sips of water.

The flight was expected to be about four hours. We were ahead of the forecast bad weather, they said. But we might meet it along the way. The worst of the blow would be after our arrival.

I just wanted to get it over with.

I spent the flight squeezed into my seat, struggling to find where to plug in my headset then struggling again to find the buttons I needed to access to work the darn thing. I wanted to tilt my seat back but no way could I find THAT button! Meanwhile, to my left and right, both were manspreading into what little remained of my space. It was an unfortunate necessity for them due to the small legroom. While I have no concerns touching thighs with my husband, I did find it awkward to be on closer leg-rubbing terms with a total stranger.

We managed the meals, and a couple of glasses of juice. It was tricky, but we didn’t spill anything. I gave up on trying to do any sewing. I had no elbow room. Reading my book was enough challenge. I dropped my pencil at one point, and had to do without it for the rest of the flight. No way could I reach down there. Not without evicting both my fellow passengers and getting down on the floor.

Through the flight there were increasing announcements of our delayed arrival. Turns out the bad weather had sent its advance party, and we had a strong headwind. The flight eventually took five and a half hours. Cabin crew kept coming round to tell people to put their masks back on, and my brain was visualising Covid viruses floating freely around the cabin.

As we were coming in to land, the cabin crew urged me to tilt my seat back to the upright position. I was surprised — I hadn’t realised that my squashed thigh had been pressing against the seat tilt button on the armrest.

When we arrived we chose to wait in our seats while other passengers impatiently waited in the aisles for the next twenty minutes. Our fellow passenger continued to browse through catalogues of earthmoving equipment. We chatted a bit more. “I’m a FIFO worker,” he told me. [That’s Fly In, Fly Out]. “But this is my first flight to WA in years, I’m off to see a mate up north. I’ve been nervous of flying, with Covid. Hate it. Especially crowds.”

At last the crowd cleared and we had space to get out of our seats, grab our bags from the overhead locker, and get off the plane. It couldn’t happen fast enough for me.

It took another hour to get our bags, and after all the stories we’d heard, we were delighted to claim our own once more. It was a short walk to the car hire place, that process was much quicker.

It was cold, windy and damp, but the forecast torrential downpours weren’t happening. Yet. We’d rung Aunty Meg who said she’d made a batch of her famous creamy vegetable soup for us.

We got to Aunty Meg’s in mid-afternoon. She welcomed us with a fresh cuppa and a welcome chat. I got out my sewing.

The wind rose outside but the sky was still clear. It would be a cold night, but we’d be warm inside. Aunty Meg put the heater on, then commented, “It’s two hours later for you. I’ll put the soup on to heat up.”

Just then, the power went out. “It’s been doing that all day!” Aunty Meg remarked. “What a nuisance! The whole neighbourhood has been having momentary drop-outs in power.”

But not this time. Aunty Meg called the neighbour. “Is your power out again too? No?”

“Maybe you should check the fuse box,” Jeff suggested. “In case it’s a circuit breaker or something.”

With nothing to look at inside, all three of us traipsed out to the fuse box. We could smell burning plastic and could see sparks arcing across the circuit breaker, which hadn’t tripped. It should have. Jeff found something inert and used it to force the main breaker switch off. The sparks stopped.

“I think I see the trouble…”

It was a Sunday night. We rang emergency electricians and found nobody available. Aunty Meg’s previous electrician had moved ‘up north’ and she eventually found a new contact who was unable to attend that night but would be out first thing.

The power company came out to inspect, said it wasn’t their problem. “A good thing you managed to shut it off so promptly,” said the power company electrician. “The way this was installed originally, fire could have gone up into the ceiling, you could have lost the house.”

Meanwhile, nobody was going to have any soup so Aunty Meg and Jeff went searching for easy takeaway to eat by candlelight. I stayed and waited outside, where there was still a little light to read by.

It was a cold, dark night so we went to bed early. I’d used my phone briefly to connect to the internet and get emails. My battery was getting low. Meanwhile Jeff charged his in the car.

Next morning we were up and dressed early when the electrician arrived. We’d been able to tell him what had happened and what model of board components we had, so he arrived with the right parts and within fifteen minutes, we were back with power and light.

Expert on the job. Aunt Meg has a new favourite electrician!

“It’s good it happened yesterday and not today,” he told us. “With the three big blows coming in, I’m going to be real busy for the next week, from tonight.”

The next night Aunt Meg’s daughter and family arrived from the UK. The big blow had hit hard and the airport terminal was in darkness. Most flights had been diverted, but with a plane low on fuel after a long haul, they made an exception.

Despite all this, Perth is really a very welcoming place. And at least we were here, not trying to cross the country by plane, in a narrow metal tube packed with mask-wearing people.

Masked and ready to fly again. With trepidation!

Cité de Carcassonne – Fairytale Fortress

I’ve written about Carcassonne, France, in the past but it definitely bears a longer examination.

Our travel agent, knowing I have difficulty walking, had booked our accommodation ‘within the walls’. We had learned in previous city stays that while this can be more expensive, we save a lot on cab fares, energy and time, a very precious commodity.

We turned off the autoroute onto a lesser road which wound through vineyards and small villages. The sat nav only showed roads, no topography, so when we turned the corner to see the glowing confection of castle towers on top of the hill we were blown away. After seeing so many ruins with just a suggestion that once there was a functioning castle there, here was the Real Deal.

Carcassonne when first seen. It doesn’t look real. France, 2019.

After leaving our car in a tourist car park, we walked in through the big Double D gatehouse of the city walls. The castle is another enclosure inside, with a lot of quaint, historic buildings jettied out over the street.

Jeff, pointing to the many-layered main city gate.
The square holes in the wall above would have held the supporting beams for the timber battlements.
Multi-walled defences — outside the Cité de Carcassonne, France, 2019.
Inside the first wall, another fortress wall. They could keep out anything in Carcassonne.
Note the timber hoarding on the first tower along from the gate, to the right.
A relief map of the double-walled Cité de Carcassonne. The palace itself is at the top of the image, the cathedral to the left. And yes, that is a Roman amphitheatre. They were here too.
Medieval building with jettied upper storey. The former cathedral is just beyond, the car is outside our hotel.
Carcassonne, France, 2019.
The altar of the old cathedral, now Basilica St-Nazaire. Just beautiful.

There were multiple walls, multiple large gates and giant doors on our way into the inner sanctum. It was another scorching hot day and we were exhausted and sweaty by the time we got to the Hotel de la Cité, beside the old cathedral, now called Basilica Ste-Nazaire.

The hotel was a slice of medieval heaven. Air-conditioned (not a medieval thing but very welcome) with the benefit of thick stone walls, we felt cooler immediately inside the front door. We were handed a glass of iced water each, with a slice of lemon. Even before they asked our names for the register!

I had carried a few loose bags of precious things (computer bag, handbag etc) which the hotel reception minded while we went back to our car. Absolutely no parking inside, so we had a parking space allocated outside the walls, with a transfer minibus.

The town of Carcassonne, outside the walls. Our hire car was down there somewhere.

Coming back in by minibus was quite an experience. The walls of the gates were so close we could have touched them. I could see streaks of various car paints on them from drivers less skilled than ours. There were officials guarding the gates from unauthorised vehicle access. The difficulty was made greater by a right angle within the entrance, so you couldn’t simply drive straight through.

The view from the window of our room in Hotel de la Cité. The front door of Basilica Sainte-Nazaire.

Once inside, we were within the walls of the old city but still outside the castle itself. The area inside the walls is much smaller than for other old cities we visited (such as Avignon) but still allowed for a number of shops and the former cathedral.

Up on the walls. We entered via the castle. In the background is the former cathedral.

We’d arrived just after midday so we had plenty of time to explore. I’ve already described our exploration of the castle towers and city walls, but suffice it to say, we were having a ball. So many features of castles that I needed to better understand for my writing, things I had only seen as ruins in so many areas, were here restored to glory. In fact, Carcassonne never fell to arms: only once, to siege in 1209 during a time when the city was controlled by the Cathars. That siege was led by Simon de Montfort, who was perhaps the greatest, most capable knight and tactician of his time. It would have taken someone of his capability to even have a chance. The city was forced to surrender due to lack of food getting through. The people were allowed to leave, but with no possessions and clad only in their underwear. Reports say “in their shirts” but this is a reference to the undershirts, or shifts, that people wore next to their skin as underclothing. Simon de Montfort, of course, was rewarded with stewardship of Carcassonne and promptly began making his own improvements to its fortifications.

From around C13, close-up of knight’s effigy on a tomb. inside the palace, Carcassonne, France.
Inside the castle. Now open to the sky, this would have been two levels that we see here, a large fireplace on the first floor directly in front with two bench seats by a window to its left. The square blocks would be where a floor once was.
Above is a guard walk. The large windows indicate an outlook of relative safety.

We began our walk of the castle walls and learned, too late, that it was a one way path. Up stairs, down other stairs, up more stairs. Walking along the battlements, looking at the places in the outer walls where the temporary wooden hoardings were erected, hung off the top of the stone walls, to give defenders an even greater advantage to drop projectiles onto attackers below. Carcassonne was the first castle to ever do this, and to great effect.

Section of timber hoarding or battlement, which hung out from the outer wall of the castle. As if it needed even more defence!
Information poster on the hoarding.

Contrary to popular opinion, they did not drop boiling oil through the murder holes and macchiolations. Oil would have been too precious to waste. However, burning hot sand would be just as effective at getting inside maille or between plates of armour. Stripping off scalding hot metal to save blistering skin would have been equally fatal, with defending archers just waiting for that opportunity.

Amazing details in the stonework.
On top of the walls. Beautiful stonework.
“Enemy below! Fetch the hot sand!”
The archer’s eye view, covering the gate below.
A view through arrow-loop to the inside of the city walls, just in case the enemy got this far.
The top of a lookout tower, facing outwards.
Guarding the approaches. “None shall pass!”
Never forget, this is rich wine country.

I could sympathise with the attacking soldiers being rained with burning sand, as the heat climbed higher into the afternoon, and no way back. The walls of Carcassonne are double-layered, with strong defences in between. Any enemy soldier making it that far wouldn’t have stood a chance.

We did wonder, as we clambered up yet another long, spiral staircase, at how ladies in long, layered skirts would ever get back down. The towers were well-supplied with garderobes, those long-drop toilets handing off the side wall. Something else to drop on attackers… but at least there would be no need to head downstairs to find a loo.

We were almost at the heatstroke stage by late afternoon when we got back to the hotel pool. A quick swim to cool off, then we explored the former cathedral.

Seen from up on the walls — our hotel courtyard. So near, yet so far…
The view of the Pyrenees in the distance.

A saunter around the old city, and a sunset dinner with the Pyrenees on the horizon as a backdrop. Oh, I could have stayed for so much longer! My mind kept going back to Hilaire Belloc’s poem, Tarantella.

Do you remember an Inn, Miranda?
Do you remember an Inn?
And the tedding and the spreading
Of the straw for a bedding,
And the fleas that tease in the High Pyrenees,
And the wine that tasted of the tar?

Even the ATM had its ancient touches.
Yep. Even in France.
Inquisition museum. Pass…
Costumes were available for sale everywhere. I did check the price of this kirtle and cloak. Out of my league!

Next morning we were driven back to our car, in the car park outside the walls. Sad to leave, but off to our next adventure in ancient walled cities of France.

As I write this, we’re in lockdown in much of Australia and, unable to sally forth from my own ivory tower, I’ve been going down various rabbit-holes familiarising myself with history, losing myself in the past. My own fiction writing is currently involving various aspects of medieval life, and so it has been productive research.

More to follow…

Adorable Doors part 2 — Paros

I promised you more door porn – here you are!

The windmill at Parikia Harbour is now the information point. Daily ferry just coming in. Paros, Greece.
Early in the morning the tavernas in the town square were empty. The square was ringed with doors. Paros, Greece.
It could be mistaken for a garden path, but this is a street. Paros, Greece.
What stories has this door known?

We arrived on the island of Paros at about midday, and were collected in a mini-bus for transfer, along with about five others. Our hotel was the Aegeon, around the corner and up the hill, with a small convenience store across the road. It’s a small two-storey building, in the traditional Cycladic style of flat-roofed white building with sea-blue doors. Through the door we found a cool, shaded space, a shelter from the intense summer heat. The hotel was high enough above the town of Parikia for a gentle breeze from the harbour to cool us a little.

The window in the sitting room of Aegeon hotel. Cool inside, after the heat outside. Paros, Greece.

As soon as we’d checked in, we began our explorations. We had no map and no way to navigate back to the harbour on foot, except by eye. That was when we discovered just how effective were the winding streets, blind ends, twists and turns and narrow passages to keeping the old towns safe from invasion from the sea. Paros has been a wealthy prize due to its trade in the whitest pure marble, prized by sculptors through the millennia.

Windows count too. This was near our pensione. Paros, Greece.
Paros, Greece.
Church doorways. Paros, Greece.
Very old buildings line an ancient street. Each archway, each set of steps is another door. Paros, Greece.
A narrow path to the doorway. There’s a washing line, too. Paros, Greece.
Narrow steps up, doorways below. Paros, Greece.
Another church, with oleanders in flower. This is the laurel of Greek mythology.
Water is very important in Greek culture. Water to drink, water for blessings. Paros, Greece.
The church overlooking Parikia Harbour, which we found by getting lost in the dark. Paros, Greece.
In 500 BC there was a temple to Athena in this location.

We regularly got lost and often found ourselves navigating by the sun. This was a problem at night. Our pensione was only a five minute walk from the harbour, but at night we often took forty minutes trying to find our way back.

Hibiscus and bougainvillea grow out of tiny crevices and twist around the buildings. Paros, Greece.

It’s a very enjoyable place in which to get lost. We found some glorious nooks and crannies, and in places the buildings went right over the road. Looking up from underneath we could see the rough construction which we had seen thirty years ago when we first visited the little village in the mountains of Crete (see “Blast From the Past”).

Look up to see the building materials for the floors above this street. Yes, street. Paros, Greece.
Old, decayed doors — more stories.
Side by side with well-maintained doors. Still very Greek! Paros, Greece.
Doors open directly onto the streets.
So many stories here. Paros, Greece.
The streets here are named after people of note. Paros, Greece.
Table and chair outside to sit in the sun and watch the people pass by. Paros, Greece.

Along the shoreline we found some more interesting doors. The town opened up a little more. The town square was ringed with tavernas and clothing shops.

Even though it’s a main street, it is narrow.
Near the town square the street is wider. Shops near Pariklia Harbour, Paros, Greece.

As we walked back in the moonlight (getting delightfully lost again) we noticed the heavy doors opening right onto the street, which would have been an added hazard for unwelcome invaders.

As tourists, we felt welcomed despite our closeness in the street to residents’ living spaces. What would it have been like to be on guard behind a door, hearing the sound of invaders trying to creep through the town?

And today, behind those doors, the women cook for their families, tend their small gardens, chat to their neighbours and live their family lives. The only privacy would be behind those doors.

Scraping Together — an Exercise in (Foodie) Improvisation

While we’re in lockdown with Covid-19, clearly we’re not travelling. During the shutdown of daily life due to this pandemic, we’ve seen photos, too many, of people discovering that food can be cooked from scratch. It brought back memories of various meals improvised while travelling.

Some years ago in New Zealand we spent a week in Lake Taupo on North Island then flew to South Island. We’d bought some groceries and I wanted to bring what we hadn’t used to our next week’s unit to save us buying replacements. Of particular concern was a part-used bag of plain flour. My son-in-law wanted me to bin it, but I was raised to avoid waste.

My son-in-law demonstrated the options by holding out both hands in front of him. “On the one hand,” he said, “there’s the $2 it cost. On the other hand, there’s the concerns of baggage security when they find a white powder in your suitcase. Hmm… $2? Or body cavity search? Decisions, decisions…”

We compromised. I found someone else to give half a bag of flour to.

On South Island we stayed in Wanaka. We’d gone in June but there had been little snow to see. However, at last on our last day in Wanaka it began to snow. The wonder of it all stopped us in our packing to go outside and play. The mad Australians who don’t see enough snow…

Then the snow got heavier. The satellite dish filled with snow and we lost all transmission, so no TV, no movies, no news. We went outside even as the sky got darker. My son and I were playing a game of outdoor chess on a large set in the snow and we realised we should stop when the board kept getting covered with snow. One spectator said to me, “You’re in check from his bishop,” and I had to drag my foot across the board to show that in fact there was not a straight diagonal path for the bishop to attack.

We’d eaten down the larder as we planned to go out to eat for our last night, but the thought of slip-sliding in the dark was too much. We stayed put and resolved to be safe but hungry.

However, as I foraged, I found a few gems. We had some butter, a couple of eggs, and the tail end of some “Maori bread” from a hangi we’d attended a few days earlier. The Maori bread was scone-like and a week old, nobody wanted any. But I managed to rejuvenate it into a sort of Maori French toast, using the eggs, some milk and a couple of sugar sachets from the hospitality bar and pan-frying it in the last of the butter. We scraped together a meal of the rather tasty French toast with some soup sachets and hot chocolate sachets. A campfire dinner, with no electronic distractions, as the snow whirled outside in a flurry of white.

A day or two later, stranded by snow on the road to Queenstown, we found some beautifully fresh produce including fresh yams, which I’d always wanted to try. We still had our tub of butter and I was told to try boiling them and serving them hot with a knob of butter.

We got back to the room. Problem – no saucepan. The electric kettle was one of the old Speedie brand ceramic things with an exposed element in the bottom. I improvised and put the yams in the kettle. It worked a treat!

Trying the local food — home-cooked and local is the best experience.

Fast forward to 2018. When we arrived in Zurich for an overnight stay, we discovered that our hotel was undergoing major renovations which had not been known at the time our travel agent booked. We were, in fact, the last guests in that hotel before they closed for major work. The restaurant was closed. No matter, there was some lovely local food on the street. But breakfast was another matter. The hotel would organise a hamper, they said. Sounded lovely!

Next morning with an early train to catch, our departure time was tracked to the minute by the hotel. We were doing our last bug-out check (where we check each space for anything we may have left behind) when the hotel reception rang. How did we like our morning coffee?

When we got to reception, detouring past newly-installed scaffolding and bypassing closed areas, we found workmen well in residence, unplugging leads, removing ceiling battens and trying to remove the reception desk itself. We saw one over-zealous workman get slapped away by the receptionist who was still trying to print out our bill. The reception staff were lovely, the workmen only had a job to do and we, the last guests, were definitely in their way. There was a sense of relief as they helped us out to the taxi. It was at that point that I was handed the ‘hamper’ through the taxi window. A large paper bag each with unknown contents, plus a very hot cup of coffee (tea in my husband’s case). The paper carriers had paper handles which I carefully threaded over my arm. They waved goodbye to us then went back in to lock the doors and hang up the ‘No Vacancy’ sign.

At the station, we had to juggle five bags, the two paper carry bags and the very hot morning cuppas in paper cups. The taxi driver got us to the pavement. We were on our own from there.

We found our way to a bench seat inside the station where I sagged gratefully, putting down the paper cups and rubbing my almost-blistered hands. Jeff built our cube of luggage then headed off to organise our tickets. I rested my legs across the cube before examining the paper bags which were now soggy and threatening to rip. With all the renovation issues and no restaurant, I had low expectations.

A peek inside the paper bag ‘hamper’. We’d already finished the coffee. Note the stripy boiled egg. They sell them like that in the shops in Switzerland.

Inside each bag, to my delight, was a ham roll, a cheese roll, an apple pie, a very pretty striped boiled egg, a cup of yogurt with fruit, a cup of fruit salad, a small cup of milk for the tea and coffee, a bottle of water, a smaller bottle of fruit juice, an apple and a small Toblerone chocolate. All well chilled. Plastic cutlery, of course, and the condensation from the milk, fruit salad and the chilled yogurt was what had damaged the carrier bags, and also turned the napkins to papier maché. I had my cloth Boomerang Bag, of course, and I transferred the rolls, the eggs, the chocolate, the bottles and the apples to it. When Jeff came back we drank the coffee (now at a reasonable temperature) and ate the yogurt. Getting to the train was easier — being now better organised, we could wheel our bags while I had my Boomerang Bag with our food slung over my shoulder. It took us almost until we arrived in Lausanne that afternoon to finish our breakfast.

Setting up our leisurely picnic breakfast as the train pulled out of Zurich.

At other times when driving through countryside, we’ve often stopped to buy a meal at a small local shop. In New Caledonia we bought a jar of paté in a supermarket which I ate for breakfast with a fresh, warm bread roll bought at a local boulangerie. Jeff preferred the fresh croissants with a pot of jam. We’d buy them and drive to a lookout somewhere, or a beach by the lagoon. At one isolated place we found the resident mosquitoes clearly wanting their breakfast too. We slammed up the windows and slapped the mosquitoes into oblivion while we drove somewhere more hospitable.

To Dijon for mustard — perfect for ham on the breakfast baguette. Interestingly, the shop is on Rue du Chapeau Rouge. Street of the Red Hat. I did not put the hat on just for the photo, honest!

Making do like this for impromptu meals has given us local experiences with food not available anywhere else. We’d stop and buy a local cheese, perhaps a local bottle of wine. It can be hit and miss, but the experience is always worthwhile.

Hot food in preparation on a cold day — pumpkin and chicken soup on the left; home-made chilli oil (made with some Carolina reaper chillis from a friend); the makings of gnocchi for a late lunch.
Fresh gnocchi — little Italian pillows of delight when made fresh with eggs, mashed potato and flour. Served with just butter or here, with a tomato-based sauce. Comfort in coronavirus time.

In my kitchen right now, stuck at home with whatever we can put together, I’ve made a chicken stock by boiling down a reserved chicken carcass from a previous roast dinner, and fresh herbs from the garden. We have a couple of pumpkins, one had a bad bruise on the skin which, if left, would send the whole pumpkin bad. I cut out the bruised part and I’m simmering chopped pumpkin in the chicken stock. I’ve also got leftover mashed potato and some eggs — inexplicably, in wet weather and short winter days, our chickens are still giving us eggs. So I’ll make home-made gnocchi too, for a family member who has had to go to the doctor to get tested for Covid-19. Tonight I’ll use up more eggs and some leftover roast meat and vegetables to make a frittata.

As we eat what we put together from what we have, I’ll be remembering breakfast by the roadside in France with fresh croissants, some sliced ham and Camembert, with mustard from Dijon. Or perhaps that amazing breakfast on the train from Zurich, as we watched the countryside flash past.

Soup selfie. Making do in the moment.

One day soon…